Sony Cinema Line FX2 ILMEFX2 Full Frame camera with XLR handle unit
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-€300.00 New

Sony Cinema Line FX2 ILMEFX2 Full Frame camera with XLR handle unit

€3,829.00 Tax included

€3,217.65 Tax excluded

€4,129.00 - €300.00

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Cinematic expression with a full-frame sensor

The full-frame FX2 delivers stunning cinematic images, combining high resolution with beautiful bokeh. Featuring a back-illuminated Exmor R CMOS sensor and supported by the BIONZ XR™ image processing engine and advanced AI processing engine, the camera offers high sensitivity, wide aperture and 33MP resolution, giving aspiring filmmakers with vision everything they need.

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Excellent image quality for maximum editing flexibility

The FX2’s full-frame sensor produces shots with smooth, natural gradations, thanks to a 15+ stop width when recording in S-Log3, ensuring that even high-contrast scenes are captured in every detail. The base ISO for S-Log3 shooting can be set to 800 or 4000, and the camera supports S-Gamut3/S-Gamut3.Cine color gamuts for wider compatibility. All of this adds up to maximum editing efficiency when shooting with multiple cameras.

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Multiple recording formats for flexible shooting and editing

7K oversampling is used with full-pixel readout and no binning when shooting in full-frame 4K (QFHD: 3840 x 2160), while 4K 60p (59.94p) recording is available in Super 35mm mode. With 10-bit depth, 4:2:2 color sampling, efficient MPEG-H HEVC/H.265 codec and Intra recording including DCI-4K (4096 x 2160), it ensures excellent quality.

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Log recording functions for production flexibility

For creative flexibility, there are three modes for Log recording — Flexible ISO, Cine EI and Cine EI Quick — with Cine EI widely used in professional cinematography for footage shot with post-production in mind. Depending on the shooting environment, choose a base ISO of 800 or 4000 to maintain maximum range throughout the shoot, allowing specific tonal ranges to be enhanced in post-production to achieve the desired cinematic look. 

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Import up to 16 user LUTs

With the FX2, LUTs can be imported and applied to the LCD screen and electronic viewfinder during shooting or during movie playback, providing a more accurate preview of the final graded image. In addition to the three presets, up to 16 user LUT files can be imported and selected from memory cards or Sony's Creators' Cloud. The LUT used for recording can then be embedded in the video metadata for easy access during post-production.

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Create moods directly from the camera

Picture profile presets make it easy to adjust color and gradations to create different moods in-camera. These include the invaluable S-Cinetone™, which produces beautiful skin tones. Imported user LUTs can be registered as PPLUT 1 to 4, and applied during recording, while an expanded range of 12 Creative Look profiles, including FL2 and FL3, offer a comprehensive selection of visual moods for a variety of recording needs.

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Decompression projection for anamorphic lenses

Anamorphic lenses are a popular choice for creating a distinctive cinematic look. The FX2 is equipped with a decompression display function that allows viewing in the standard CinemaScope 2.93:1 aspect ratio when shooting with anamorphic lenses. It offers 1.3x and 2.0x decompression settings, while Sony’s Monitor & Control app provides even more detailed settings for viewing on a tablet or other external display device.

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Frame rate freedom

An FPS menu inherits features from higher-end Cinema Line models, including a [Variable] setting that makes it easy to control the frame rate: up to 2.5x slow motion in 4K resolution or up to 5x slow motion when recording in Full HD at up to 120 fps.

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Wide variety of expressive E-mount lenses

Sony offers over 70 high-performance E-mount lenses, including ultra-wide-angle lenses, super telephoto zooms, premium prime lenses and autozoom lenses. Pair them with genuine Sony microphones for exceptional audio quality and choose from a range of other accessories to unleash your creative vision.

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Compact and lightweight, with integrated accessory mounting points

Featuring the same compact flat-top design as the FX3 and FX30 in the Cinema Line series, the FX2 is ideal for handheld shooting, as well as gimbal and drone mounting. The magnesium alloy exterior features 1/4-20 (UNC) screw holes in three locations for accessory mounting, making the overall system lighter and more compact, while reducing assembly and disassembly time. Two additional screw holes for secure tripod mounting are located on the bottom panel.

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Install a top handle for even easier handling

Sony's XLR-H1 XLR Grip Unit can be attached to the FX2 body to minimize shifts in the center of gravity when changing lenses. It can also greatly improve the flexibility of handheld shooting, especially in demanding situations such as shooting from a low position on the move. The grip has three 1/4-20 screw holes for attaching other accessories.

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Real-time recognition autofocus supported by artificial intelligence technology

Equipped with a powerful AI processing unit, the FX2 is capable of real-time recognition autofocus for people, animals, birds, vehicles, and even insects. A detection frame indicates the recognized subject, and tracking can be started simply by touching the subject on the screen. Advanced human posture estimation technology accurately recognizes the subject's movement, and human eye recognition has been improved by approximately 30% compared to the FX3 / FX30.

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Precise focus control

AF Assist allows seamless manual focus switching for smooth focus transitions, while 7 AF transition speed settings and 5 sensitivity settings offer detailed control. Focus Map makes it easy to visualize depth of field by overlaying focus information on the live view screen, while Breath Compensation can significantly improve image stability.

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Automatic framing using advanced artificial intelligence technology

The FX2's auto-framing function automatically crops and tracks a subject so that the subject is in a prominent position when the camera is mounted on a tripod, creating shots that look as if they were taken by an experienced operator. The frame stabilizer function automatically keeps the subject in the same position within the frame, which can be useful, for example, when the camera operator moves alongside the subject.

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Stabilization for dynamic handheld shots

Active Mode boosts stabilization while you’re walking to shoot. Or, for even faster shots, Dynamic Active Mode uses electronic stabilization for up to 30% improved performance, making it possible to capture steady shots even when running. Corresponding stabilization metadata is embedded in the shots, allowing for even greater stabilization control in post-production, if needed.

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Still images at the touch of a switch

A single switch selects MOVIE or STILL mode and instantly recalls all the corresponding settings. In addition to offering 33MP resolution and continuous burst shooting at up to 10fps, the camera is equipped with a [Create still images from shooting markers] function that allows you to capture still shots while recording or playing back videos that have a user LUT already imported.

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Visual consistency in stills and videos

Log mode is also available for still images, making it possible to capture JPEG and HEIF still images with the S-Log3 gamma curve used during video capture, so the same workflow can be easily applied during post production. Transform your stills in editing applications like Blackmagic DaVinci Resolve, ready for a variety of uses while maintaining the same look.

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Tiltable high-definition electronic viewfinder

Stay focused when shooting even in bright environments or when there are distractions, thanks to the approximately 3.68 million-dot OLED viewfinder. Magnification is 0.70x (50mm lens, infinity focus, -1m diopter), and the viewing angle and field of view are optimized for video recording. The viewfinder itself can be rotated from 0° to +90° for easy viewing at any angle, and the eyepiece can be removed or reversed from left to right, as needed.

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Control device designed for professional use

The FX2 offers the size and weight advantages of mirrorless cameras, while offering professional-grade functionality. Frequently used controls are grouped around the grip and top panel, while long-travel buttons on the top panel are easy to operate even with your thumb. The zoom lever offers effective control of auto zoom and clear image zoom.

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Flexible multi-angle LCD screen

The 3.0-type, multi-angle, 1.03 million-dot high definition LCD screen can be rotated to a wide range of angles and is free from HDMI cable interference. Touch operation is still available when the screen is open to the side.

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Frequently used parameters, all in one place

The FX2 inherits the BIG6 (Home) screen from high-end CineAlta cameras like the VENICE, which allows you to easily monitor six key parameters in MOVIE mode: FPS (frame rate), ISO, Shutter (speed/angle), Aperture or ND Filter, Exposure, and White Balance. This proven BIG6 (Home) screen contributes to smooth, effortless operation and provides quick access to variable/fixed parameters.

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Proxy registration

Low-bitrate HD proxy video can be recorded simultaneously with any of the available recording formats, including XAVC SI 4K. These files can then be used for editing and previewing, reducing the load on the computer when working with 4K footage. Proxy files can be recorded in two formats: XAVC HS (1920 x 1080) at 10-bit depth or XAVC S (1280 x 720) at an even lighter 8-bit depth.

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High visibility recording lights and recording indicator

The camera is equipped with recording lights on both the front (top) and rear, so you can easily see if you're capturing the action. The illuminated REC button doubles as a recording light linked to the rear light, and a red frame on the LCD screen also acts as an indicator for recording, remaining visible even when the screen is partially covered by equipment or a gimbal.

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CFexpress Type A memory card support

Two card slots support SDXC/SDHC UHS-II/UHS-I memory cards, while one also supports CFexpress Type A cards, giving you a variety of options for stable and reliable recording at high bit rates. Choose the recording mode that suits your needs: videos and still images can be recorded to separate cards, recording can be automatically transferred to a second card when the first is full, and more.

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Digital sound without distortion

With the XLR-H1 XLR Grip Unit attached, the FX2 can record high-quality audio via two XLR connectors and a digital audio interface, without the need for additional batteries or cables. Microphones equipped with XLR connectors are available separately. You can easily implement 4-channel audio settings, 24-bit recording and more.

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4:2:2 10-bit or 16-bit RAW output via HDMI

An HDMI Type-A terminal allows 4K 60p (59.94p) 4:2:2 10-bit or 16-bit RAW video output to an external recorder for flexible post production. 16-bit RAW video is output at 4672 x 2628 resolution (16:9 aspect ratio), which also covers DCI-4K (4096 x 2160), with selectable frame rates of [59.94p]/[29.97p]/[23.98p]/[24.00p].

Timecode synchronization

The FX2 can be synchronized with timecode from a second camera that has a BNC output connector. Connect the Multi/Micro USB connector to the dedicated VMC-BNCM1 adapter cable, then to the second camera via a BNC cable.

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Plenty of power for long-lasting shots

The high-capacity NP-FZ100 battery and efficient power management provide up to 100 minutes of real-time video recording or up to 155 minutes of continuous shooting. For longer shooting times, continuous power can be supplied from an AC adapter or portable battery that supports USB Power Delivery (PD). The optional DC-C1 DC coupler can provide constant power without taking up the camera's USB Type-C® connector.

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Flexible communication via network

The FX2 supports Wi-Fi communication at 2.4 GHz and 5 GHz (802.11ac). Simply select the band that provides the most stable communication with the least interference. Wired transfer to an FTP server using the 1000BASE-T standard is also possible via a USB-Ethernet LAN adapter connected to the camera's SuperSpeed ​​USB 10 Gbps-compatible USB Type-C port. You can also use a USB connection for easy remote shooting.

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Easy live streaming

The FX2 is also a great choice for live streaming to a computer via USB (UVC/UAC) or wireless or wired LAN. You can stream video up to 4K (3840 x 2160) 59.94p over LAN, while simultaneously recording to the camera's memory card. LAN streaming protocols include RTMP, RTMPS, and SRT.

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Efficient heat management

Enjoy uninterrupted video recording for formats up to 4K 59.94p. Heat build-up is prevented by a combination of an internal cooling fan, the use of graphite material with excellent heat transfer properties in the image stabilization unit, and an innovative design that allows sufficient air intake even when the LCD monitor is closed. The cooling fan has three modes that you can select according to shooting conditions: Auto, Minimum, and Off during recording.

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Designed to withstand dust and moisture

We've enhanced dust and moisture resistance with numerous improvements throughout the body design, ensuring maximum reliability in harsh outdoor conditions. Among other improvements, the joints of the camera's outer casing and battery cover have been well sealed, the cooling fan flow has been carefully isolated, and the lens lock button has been redesigned.

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Monitor & Control

Sony’s Monitor & Control app not only allows for intuitive remote operation and image monitoring via a smartphone or tablet screen, but also provides waveform views and more for exposure confirmation and precise focus. By connecting multiple cameras wirelessly to an iPad, you can enable multiple monitoring. All of these features can contribute to a smoother workflow with minimal staff.

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Catalyst Browse, Catalyst Prepare/Plugin

Catalyst Browse and Catalyst Prepare applications allow for convenient editing of video recorded in Log mode with built-in LUTs. Shot markers and OK/NG/KEEP marks added during recording can also be imported for easier shot selection. Image stabilization, breath compensation, rolling shutter and other metadata embedded during recording can be used to make precise corrections during post-production.

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Upload to the cloud (directly from the camera)

Recorded files can be uploaded directly to Creators' Cloud storage from the camera without the need for transfer via a smartphone or other device. Once in Creators' Cloud, data can be transferred to other cloud services, such as Google Drive™ or Adobe Lightroom, depending on your workflow.

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Creators' Cloud Platform

Creators' Cloud is a platform that supports creative work from capture to production, combining advanced Sony camera technologies with the cloud. It's where you'll discover and collaborate with other creators from around the world. Explore web, mobile and PC apps for efficient solutions that integrate cameras with production apps and services.

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With respect for the environment

Sony's Road to Zero environmental program aims for a zero environmental footprint by 2050. The environmental footprint of this product has been minimized from development through the supply chain, manufacturing, and packaging.

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Non-plastic packaging materials

Sony aims to use non-plastic materials that provide ample protection from shocks and drops. Non-woven fabrics of plant origin are used for product bags, further reducing the use of plastics and minimizing environmental stress.

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Greater accessibility for all users

Accessibility features like the menu magnifier and a screen reader that reads menu text aloud make digital imaging easier for everyone. Advanced features like real-time recognition autofocus that uses artificial intelligence for a wide range of subjects, simple touch control for subject tracking, and more bring the joys of photography and moviemaking to the widest possible audience.

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